Mecanoo B.15 Modelmaking Award

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We are very pleased to announce in conjunction with our 45th year celebrations a new award for outstanding modelmaking at MSA.

The award will be sponsored by award winning architects Mecanoo who have recently expanded their offices to include a new Manchester branch.

“Model making is integral to the design process at our headquarters in Delft and we place a great deal of value in students who can demonstrate a love for the physical crafting and communication of space in architecture, landscape architecture, and urban design.

As such, Mecanoo is proud to sponsor an award which recognises high quality model making skills at Manchester School of Architecture – a school in a city which has become our UK home. We hope that this prize will encourage final year students to push that little bit harder to make their models as experimental, pragmatic (and beautiful) as possible!”

Francesco Veenstra (partner in charge of UK projects)


The Awards

Two prizes will be awarded with one for BA 3rd Year students and one for 6th Year MArch Students. Prizes will be awarded at the end of year show on June 12th.

Representatives from Mecanoo will be in attendance and along with UoM and MSA staff will judge the winners.

In addition to the award for your portfolio, sponsorship from Mecanoo and ourselves will provide a cash prize of £500 per winner.

Models will be judged on their overall quality, choice of scale, material choices, chosen methods and the models effectiveness at conveying your design features.

We hope this gives you more of an incentive to think about your modelmaking skills and strive to improve on the great results we have already seen this year!

Good luck!

Jim and Scott at B.15

1:1 ‘Green’ Facade detail by Alexandros Pavlides

As part of his ‘Sensory Markets’ project Alex Pavlides has created a 1:1 section of brick wall to display a possible facade detail providing an organic coat to existing brick walls in Manchester. 1.1 Facade Detail (1)The approach to recreating the brick wall was much like that of Polys Christofi’s project last year but focussed on a much smaller area for the detail. Bricks were made using plaster casts from vac-formed moulds before being painted to resemble red brick and then pointed like a full scale wall. 1.1 Facade Detail (6) Details of the intervention were made up using laser cut acrylic bases, abs tubing and threaded rob before being sprayed silver to represent the intended metal finish of the mountings. The detail mounts were then fixed to the ‘wall’ and mesh was added to the ends creating an elevated platform to encourage plant growth in front of the wall. The mesh was then secured using washers and bolts. 1.1 Facade Detail (8) Alex describes his approach to the project:

“I’ve tried [to] introduce an intervention that makes the alleys memorable to the people by making the alleys acting as “landmarks” in the city. The intervention is about applying moss on different surfaces in the alleyways and create architecture from moss. I designed an external skin of the brick walls made of steel wire mesh and the moss will be applied on the mesh at different points of the city. “

1.1 Facade Detail (15)Alex is currently working on getting moss to grow on the mesh to be displayed later in the year and we look forward to seeing the results! We will post an update of how he progresses.

Scott

6th Year Site Context Model, Granada, Spain

This 6th year group project took time to think about their options with this model of a site in Granada, Spain. Initially they had thought about producing their model using the laser cut ‘Stacking’ method which has become something of an epidemic of late in the workshop. I’ll be writing a piece on why we’d advise you steer clear of stacking components soon.

Thankfully with some deliberation it was decided that a much more effective and exploratory process of could take place saving a lot of material and laser cutting as well as yearning an effective learning curve in model making.

Taking some inspiration from our B.15:45 display the group decided to make their site context using Jelutong Block and offcuts. The only use of laser cutting was in the engraving of the base plan on 6mm Plywood. As with many site context models, this one will serve as a working model that will be used by individuals to display their work throughout the development of their ideas this year. With this in mind the consistent use of jelutong as a block massing material is quite suited and is aesthetically quite nice to look at.

The group divided their site into areas with each of the 5 team members taking responsibility for the production of a given set of buildings. This way the workload was split and progress of the model can be achieved to a good standard the time managed efficiently. Rather than spending days on the laser cutter effectively pressing ‘go’ then sticking pieces of a very easy (and bland) puzzle together this group have used their workshop time to improve their making skills and understanding of the form of their site by thinking about each and every building beyond its footprint shape on a Digimap file.

This process is much more useful to learning than simply laser cutting material for the sake of it I think they would all agree.

Scott

Pangaea Stage Set for Manchester Academy by Peter Lee

Towards the end of the first semester 5th Year Student Peter Lee was approached by The University of Manchester to design and make a large scale set piece for the student run festival, Pangaea. The event was held at the Manchester Academy and runs across many venues in Manchester. Pete described the project for us:

 ‘The event’s theme was ‘Space Odyssey’ so designed a ‘wormhole’ with an elevated DJ booth as a focal point in the centre. Throughout the project I was working closely with Academy staff as the design had to both be both the right size for the room and mountable on the existing lighting rigs on the stage. 
For ease of fabrication decided to use 12 identical interlocking triangle frames to create a portal, which sits in front of an aluminium circle truss with fabric panels to give the appearance of depth. The design was also created in coordination with a projectionist, who required a scale model for testing visuals on. By mocking up the design physically at 1:10 it gave me a really good idea of the structural issues faced by hanging a 4m wooden portal and helped me to design a bracing system’

Pete Lee (2)The model was made using components that would eventually come to life as large scale versions looking virtually identical. A wooden frame was used to support a focal hub and fabric was then stretched to the back of the segmented aperture-like ring at the front of the piece.Pete Lee (5)Once the design has received approval for full size production Peter went about turning the concept model into a full scale design. The triangular sections were each cut out using the larger CNC cutter at MMU before being transported across to B.15 for additional pieces to be added.

Peter describes his reasoning for using CNC cut components for the full scale prop:

‘For the 1:1 build I found the CNC machine a really useful tool as it would have been nearly impossible to replicate twelve identical panels by hand – absolute precision was really important throughout the process as the projection maps only had a few cm tolerance for error. Although the digital methods I used were really basic (Sketchup) it was incredibly useful for working out the angles for the panel structure. 
Another really important part of the project was getting logistics spot on – was quite limited for time due to university commitments so efficient use of workshop time was crucial and greatly aided by digital design tools. The panels were prefabricated over a month before the event, which meant the assembly was pretty straightforward.

Due to the obvious weight difference in the full size version of the prop each component had to be well built to avoid any accidents. Each triangular section was reinforced with pine timber baton which was glued and screwed into place.

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‘Good communication with other parties was also key as the success of the project was highly dependent on fittings in the Academy and the synchronisation with projections. Resolving issues far in advance meant the on-site build and event itself ran smoothly.’.

IMG_0143In place at the venue, the stage prop served as the focal point for the nights performers and was lit by constantly changing projections and light displays. The image below shows the piece on stage before the event began. The image below show the finished piece during the live event.10887278_461189607366949_5284888234544424655_o 10955797_461189257366984_3543354359810081653_o 1606453_461189224033654_1058877598167468098_oComparing Peter’s prototype to the completed piece shows very little structural difference and is yet another example of how a test model can serve to prove a design idea. Both the development and final versions of the project will make great additions to Peter’s portfolio with the two conveying his design thought and testing processes to a potential client or employer. You can see more of his work here.

CNC Software Issues – Machine Out of Action

Be advised that we are experiencing some software issues with our CNC router. This may mean a knock on effect with booked jobs. The issue is ongoing and may not be rectified for the next few days. Please check in with us if you are booked to use the machine. If your project is urgent we recommend checking availability at MMU and FAB Lab Manchester as an alternative.

Apologies for any inconvenience caused. We will post an update when the issue is rectified.

Scott and Jim

 

Dr Raymond Lucas to Chair ‘Modelmaking in the Digital Age’ Symposium

We are very pleased to announce that our own Dr Raymond Lucas will be our chair speaker for ‘Modelmaking in the Digital Age‘ taking place on March 9th. Ray will be introducing and overseeing the converse of our day to help get the insights we all want to get from our fantastic group of visiting speakers.

Dr Lucas has recently been appointed as Head of Architecture in Humanities at the University of Manchester and as such will have a close relationship with our workshop activities in future.

His involvement teaching at MSA and research with the Manchester Architectural Research Centre (MARC) however has been ongoing for the last 4 years so Ray is well versed in the active role our cause plays for our students.

rlucasDr Lucas describes he teaching role as part of Manchester School of Architecture:

I teach in the Manchester School of Architecture in a variety of roles.  

In the recent past, this has included teaching in studio and coordinating the humanities for the undergraduate BA in Architecture.  I have worked closely with colleagues across institutions in developing the humanities curriculum, teaching and coordinating the following courses: Architectural History: Epochs; Architectural History: Paradigms; Architecture & Observation/Graphic Anthropology; Agenda Building; World Urbanism.  Further to this, I have taught in the postgraduate studios Continuity in Architecture and Intimate Cities and supervised a number of postgraduate dissertations.

The teaching ethos of humanities in MSA is important, and involves a close integration of the various humanities disciplines with design studio.  Humanities in architecture is relevant to the process of design, be that in determining the survey and understanding of a site; understanding the context of a place, typology, practice or material; or as precedents which can inform today’s architectural practice.  The second part of this teaching ethos is to deliver current research to students as much as possible.  Whilst maintaining the structure of a foundation in architectural history and theory, it is important to move beyond the classicist surveys of the past and to exploit the wide range of contemporary research being conducted in Manchester School of Architecture both within MARC and our MMU colleagues.

We look forward to seeing you there!

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Foster + Partners Join B.15:45 ‘Modelmaking in the Digital Age’ Symposium

We are pleased to announce that Foster + Partners will be joining our ‘Modelmaking in the Digital Age’ Symposium taking place on March 9th.

As one of the biggest architectural practices in the world, this presentation from Foster + Partners will add an insight into the ever present use of architectural modelmaking in projects taking place worldwide.

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Additional speakers from Foster + Partners will be:

Gregor_CorpGregor Anderson, Associate Partner at Foster + Partners and manager of the in-house Rapid Prototyping Facility. Gregor studied at the Royal College Of Art where he focused his research on all forms of digital manufacturing. On graduating, he was a key member in the development of Rapidform, the RCA’s in house additive manufacturing unit. In 2008 he moved to UCL to set up and run The Digital Manufacturing Centre in the Bartlett School of Architecture, before joining Foster + Partners in 2011.

Ed Bartlett
Ed Bartlett, Associate and Modelshop CAD Support Manager at Foster + Partners. Ed joined the practice in 2008 after graduating from the Arts University Bournemouth, where he studied Modelmaking for Design and Media, specialising in computer-aided design. He now heads up a team of CAD specialists within the practice, working on a wide variety of projects around the world.
We look forward to seeing you there!
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‘Modelmaking in the Digital Age’ Symposium, 9th March 2015

B.15:45 Presents….

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As part of our continued look at the role of Modelmaking in Architecture we are very pleased to announce our upcoming symposium event: Modelmaking in the Digital Age

The day will comprise of a series of talks and discussions around the subject of modelmaking in architecture, in particular the impact the introduction of digital tools has had on the approach to making and learning with models.

Registration for the symposium has now closed.

Confirmed Speakers for the event are:

Ken Grix, Architect and Modelmaker at Feilden Clegg Bradley Studios, Bath. Since 1999 Ken has been both the inspiration behind and creator of Feilden Clegg Bradley Studios’ concept models, design process models and presentation models. He became a Partner of the company in 2012, and the following year he achieved the great honour of winning the Lend Lease/AJ Grand Award for Architecture at the Royal Academy Summer Exhibition 2013 for his concrete concept models of the Festival Wing, Southbank.

Dr. Milena Stavric, studied Architecture at the University of Belgrade where she also received her PhD. Since 2004 she has worked at the Graz University of Technology, Austria. Author of Architectural Scale Models in the Digital Age: Design, Representation and Manufacture.

James Smith, Director and Head of Architectural Modelmaking at Amalgam Models, Bristol. James joined Amalgam in 2000 having gathered model making experience across the UK for several years, followed by 3 years based in  Barcelona where he managed many high profile architectural projects. James became a Director at Amalgam in 2008.

Professor Nick Dunn, Professor of Urban Design at Lancaster Institute for the Contemporary Arts.Previously studied and taught at the Manchester School of Architecture, Author of the international best selling book, Architectural Modelmaking.

Gregor_Corp

Gregor Anderson, Associate Partner at Foster + Partners and manager of the in-house Rapid Prototyping Facility. Gregor studied at the Royal College Of Art where he focused his research on all forms of digital manufacturing. On graduating, he was a key member in the development of Rapidform, the RCA’s in house additive manufacturing unit. In 2008 he moved to UCL to set up and run The Digital Manufacturing Centre in the Bartlett School of Architecture, before joining Foster + Partners in 2011.

Ed Bartlett

Ed Bartlett, Associate and Modelshop CAD Support Manager at Foster + Partners. Ed joined the practice in 2008 after graduating from the Arts University Bournemouth, where he studied Modelmaking for Design and Media, specialising in computer-aided design. He now heads up a team of CAD specialists within the practice, working on a wide variety of projects around the world.

rlucasThe event will be chaired by our own Dr Raymond Lucas. Dr Lucas has recently been appointed as Head of Architecture in Humanities at the University of Manchester and as such will have a close relationship with our workshop activities in future. His involvement teaching at MSA and research with the Manchester Architectural Research Centre (MARC) however has been ongoing for the last 4 years so Ray is well versed in the active role our cause plays for our students.

The event will be held on March 9th in the Cordingley Lecture Theatre here at the University of Manchester’s Humanities Bridgeford Street Building. Presentations will begin at 09.30am and will continue throughout the day with Q & A sessions and general discussions around the subject concluding no later than 16.00.

Further updates to the event will be posted here leading up to the event.

Tickets are no longer Available

Registration for the symposium is now closed.

For those who have registered We’ll see you on Monday!

 

Runcorn Reprogrammed Master Plan, Constantinos Papaioannou

Year 6 Re_Map Student Constantinos Papaioannou has just completed this master plan of his study area looking at Runcorn. The model will be used as an overview of the entire site with more specific site study models to follow.

The model used a minimal amount of Laser engraved and cut MDF combined with site focus areas represented with red coloured acrylic and frosted clear acrylic.

Constantinos produced the model in just a day and a half. We look forward to seeing the next stage of the project!