MSA Graduate Show 2014

This years graduate show at MSA is being held on floors 6,7 and 8 of Chatham Building at MMU. Find out more by clicking here.

IMG_4772 IMG_4774 IMG_4775 IMG_4778 IMG_4783 IMG_4787 IMG_4793 IMG_4794 IMG_4796 Stunning hand drawings by Richard Coskie on display below.

IMG_4799 The Processional Cities Atelier of BA3 produced an outstanding room display of their work. One reason this particular presentation was successful is down to the clear placement of each persons work and, being focussed round a central master plan  model, where each project fits in relation to the area of study on the site.

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It’s great to see the value the models produced throughout the year have played in each persons project.

Be sure to get over there for a look around some of the fantastic work on show before in closes next Wednesday 25th June!

‘Lithification’ 1:200 site model, James Taylor-Foster

As part of the final major project for his 3rd year submission James decided to produce his completed concept for the former Odeon cinema site on Oxford Street in Manchester at 1:200 scale.

James described the project for us below:
This project is, fundamentally, a house for stone fragments in the heart of Manchesters civic centre. Combining gallery spaces with workshops for stonemasonry, the buildings programme hinges around a tripartite relationship between stone as symbol, material and object. The spaces which consolidate these three spatial threads create a communicative dialogue between street and threshold, node and surface, alongside person and occupation. Designed to activate encounters between the material fabric of the built environment, movement of people, and the intimate craft of stone carving, the scheme seeks to integrate with (rather than reconfigure) the symbolic fabric of the city. The scheme, heavily influenced by ritualised occupancy both human and non-human (such as the daily, repeated zenith of falling light), distills the principle elements of a building into a collection of interdependent, intangible relationships. Volume, void and light align to create moments of lateral swelling in which the interaction of people supersedes, yet elevates and accentuates, particular formal moves. Capturing these ideas in a model was a challenge. Using a lightly grained wood, jelutong, to mass the large volumes of space, 3D printed elements bring focus to two elements: the entrance loggia in the centre of the building and the facade that faces Oxford Street, a busy Mancunian thoroughfare. In using a modest palette of materials, focus is drawn to the relationship between these two key elements that activate the street and public space they face. All sat on a heavy mahogany base – elevated by a thin sheet of plywood which denotes the street kerb – this simple, diagrammatic, 1:200 model works alongside a collection of drawings to visualise a complex orchestration of space. (James Taylor-Foster 2014)

Due to the fragile nature of the powder printing material when used in thin volumes there were several breakages to smaller elements of the model. These were repaired using a mix of styrene strips and filler. Once repaired the whole model was reinforced by soaking it in superglue and finished with a coat of white paint. It is always worth remembering that the smaller details of designs are a potential break risk for 3D powder printing. If possible try not to produce components smaller that 2mm in size and thickness. You should always consider the removal process and how this will be successfully carried out given your design. See more of James’ work by clicking here.

A reimagining of slums , QED, Alexandr Valakh Part 2

Back in March we looked at Alex’s 1:100 model exploring the assembly of his proposed site. Alex completed his model series by producing a 3D printed site model and finally a cross section model showing the relationship between the individual units and the optional outer skin facade.

Alex 3d Print (1)

After several days in the chemical bath to remove support material Alex placed his 3D printed model in a purpose made display case to protect it from intrigued hands! It’s always worth noting that forms such as this require a lot of support material when made on the ABS plastic printer which often means extended periods of time post-printing in the chemical bath.Alex 3d Print (20)
Alex final Project (4) Alex final Project (11) Alex final Project (15) Alex final Project (18)The outer skin of the model was made using paper components that were CAD designed and laser cut before being hand assembled. The completed skin was fixed onto the plywood frame carefully using superglue.
Alex final Project (20) Alex final Project (21) Mass produced standardised components were designed to be quickly assembled to create the form much like the full scale proposal offers. Alex final Project (23) Alex Final Major Section (1)Alex Final Major Section (3)Alex Final Major Section (6)Alex Final Major Section (13)Alex Final Major Section (43)Alex Final Major Section (74)Alex has produced some fantastic models here over the last two years and we encourage everyone to look at this level of work for inspiration. All the best for the future Alex!

Alex final Project (8)

Student Modelmaking Work Experience Opportunity this Summer

 

***************** 07/07/14 THIS PROJECT HAS BEEN CANCELLED *********************

Unfortunately this project has been cancelled. Should there be any change to this we will inform all of those who have enquired via email. Apologies for any inconvenience caused and we hope to see you all again soon! Scott and Jim 07/07/14

We have recently been approached to get involved with an interesting modelmaking project for Manchester City Football Club. The Club has recently completed a huge training facility close to their home stadium at Eastlands. The site covers such an area that there are 4 separate receptions for guests to enter.

Our task is to produce a 2m square master plan model of the area featuring all key buildings and notable landmarks in the surrounding area. The exact scale style and extent of the model is yet to be confirmed but one thing is for sure – we will need to make four of them with one going at each entrance way!

mancity site

Manchester City have given us a lot of freedom with this project and we feel it will be a good opportunity for current students to get involved and take part in a live project which will be on public display at the site for many years to come. The project will allow us to teach some more on the theory of making and hopefully further your understanding of the role of making in your degree and sign in general.

At this stage an exact date for the project has not been confirmed but is most likely to be taking place throughout July and August. There will be a limited number of people we can have working on the project.

If you would like to get involved for a day or more please get in touch by emailing myself at scott.miller@manchester.ac.uk or drop into the workshop to discuss the project.

2014 Show Preparations in B.15

Final 2 weeks (42) As submission deadlines have hastily come up on us so has the end of year show. Over the last few weeks students have frantically been assembling models and display details for their ateliers. We’ve seen some fantastic projects reach completion and have no doubt the completed exhibition will be just as good.

Final 2 weeks (48) Final 2 weeks (56) Final 2 weeks (67) Exhibition construction often involves taking up large spaces in the workshop and this year has been no exception with large quantities of material being cut and assembled before being taken across to the studio spaces. A tip for future groups is to look for as much recyclable material as possible to keep the overall cost and waste down. One group has been able to construct a series of acrylic i-pad display stands using entirely recycled material from a former display at the Manchester Museum saving them many hundreds of pounds.

Final 2 weeks (47)Final 2 weeks (74) Final 2 weeks (81) Georgina Mitchell (3) Sima (2)

For more information about visiting the degree show click here.

We will be covering the show once it has opened after next Friday 13th June. Well done everyone involved! Scott and Jim

Abhi Chauhan: ‘Testing the Machines of a Third Industrial Revolution’ 1:100 Site Section Model

6th Year MArch student Abhi Chauhan has recently completed several models as part of his Intimate Cities project. The earlier models were used to demonstrate initial concept ideas and helped influence design changes. In keeping with the subject matter of the proposed development Abhi has put heavy emphasis on digital manufacture.

Abhi gives us an over view of the project and how this model fit in to its development:

As part of the Intimate Cities Atelier this year we were concerned stalled construction sites in the city of Manchester. These sites are unique in that their infrastructural order has been partially installed and my primary aim is the reconnection of these sites back to the city context. Situated on the Potato Wharf stalled construction site, the final scheme looks at the idea of bringing around a Third Industrial Revolution, by looking at the research and testing of an advanced manufacturing technique (3d printing) and a new energy infrastructure, (hydrogen fuel cells).

 Realised as a masterplanning strategy the stalled concrete frame on the Potato Wharf site is used a ‘live’ test-bed for 3d printed architectural components, in addition to this the scheme engages with the redundant  transport infrastructure bounding the site and reinstates the canal and rail network as a distribution matrix for the transport of raw material. A reconfigurable 3d printed public park defines the edges of the new site in the overall strategy.

VISUAL LIGHT

The renders depict how the main 3d printing manufacturing hall and hydrogen exchange will look. The 3d printing facility is concerned with the research, manufacture and testing of 3d printed architectural components and as such the construction and detail is oversized to deal with a variety of different scales present on this project.

This first conceptual model depicts the main processes occurring in the 3d printing facility and follows the life-cycle of a 3d printed architectural component from its raw powdered state – stored in a material archive; to the printer beds; then for reconfiguration in a graveyard of failed components; and ultimately to its reverse engineering back to its raw powdered state.

The main frame was laser cut from 6mm MDF and designed to slot together. After spray painting grey to depict a raw concrete surface a series of powder printed material stores were fixed in place. It was decided to 3d print these stores due to their complex shape and the desired ‘layered’ construction aesthetic I was after.

The main machines in the model have all been constructed from separated components each laser cut from 2 and 3mm clear acrylic.

The 3d printed architectural components created in the facility were depicted by themselves being 3d printed. These parts were modelled in 3ds max and made ‘watertight’ ultimately for 3d printing on the ABS printer. (Abhi Chauhan May 2014)

Abi (2) Abi (5)Abi (6)

Abi (7)

One aspect of Abhi’s model work which is particularly successful is the appropriate use of different process. Having an understanding of the best suited method to achieve a desired outcome is key to an effective model. Without a clear aim as to what it is you are trying to convey many models have little practical use in conveying the key aspects of a design concept. This model of course naturally lends itself to 3d printing due to the subject matter.

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Using our Photographic Studio

As many of you are now aware this year we have been able to open our own photographic studio for you to document your work before it leaves the building. So far this has proved a great success and the studio is seeing constant use as the academic year nears its end.

Andra Calin (4)

We currently do not have a booking system in place for the facility and would like to keep it this way to make life easier for people needed to drop by unannounced. In order to keep things the way they are we would like to ask you to follow these simple rules:

Please only use the studio to document your work and not for modelmaking. We are trying to maintain a clean environment for model display here. Any assembly or processes should remain strictly in the workshop space.

Please do not move or touch any work being stored in the room as this is either current project work or part of the University Heritage collection dating back nearly 45 years.

Please do not congregate in groups in the studio as their is little free space in the room and the potential for damage of work is fairly high. 

Once you are finished using the facility please let one of us know so we can ensure it is locked and tidy.

And that is it!

Don’t hesitate to ask if you are unsure about setting up specific photographs or any issues you may have with lighting. We are happy to help. Happy snapping! Jim and Scott

Exploded Model (3)

Elsewhere Park, an ‘Eco-Labratory’ in Egypt

On a recent trip to Egypt I was thrilled to be invited by friends to visit a unique ‘eco-labratory’ experiment on the banks of the Nile. Elsewhere park is a private plot of land owned, maintained and developed by ex-pat Jules Johnson and her husband Naser. The park was set up as a long time dream of Jules to be able to create a haven away from the manic pace of Cairo city life.

2014-04-21 16.51.16With limited experience of building Jules and Naser set out to build their ideal practical get-away for themselves and other ex-pats needing to escape. Jules had a very clear idea of how her ideas should look with certain aspects pending on material tests and availability. This gave a bespoke touch to the whole site which works fantastically. Even so Jules tried to define her ideas through designs in a professional manner. These designs met with confused local architects whom more often than not stick to a very generic set of bland construction rules that, to say the least, leave much to be desired.

With the usual stumbling blocks of building construction inevitable, things were made increasingly difficult by un-co-operative tradesman and a difficulty in sourcing good quality eco building materials.

Having heard of the difficulties in construction and seen the finished articles on site I was very eager to pass on the story of this fantastic place to yourselves and open up the possibility of a future collaboration on a live-project on the site! I thought it better that Jules tell the story so read my interview with her below to find out more.

With a little planning It may be possible for us to visit the site as a small group of students to take part in the experiments and contribute from our experience in MSA. If you are interested in finding out more please email me at scott.miller@manchester.ac.uk

2014-04-22 16.19.29What is Elsewhere park and why did you decide to embark on such a project?

I am widely travelled and have watched the world go by from many a town square or roadside cafe. But not in Egypt.

After finding myself married to a local man, having a young son, very little income and living in a concrete sweat box in the middle of one the filthiest cities you will ever see, I decided to start exploring the countryside. We started to visit Nasers family more often in a village called Matania (meaning Germany) it’s a couple of miles south of the park. The poor conditions dissuaded us from using their toilets or considering staying overnight.

There are no centres or main shopping roads in any of the towns and villages and it’s inappropriate for women to be in a coffee shop. So. I needed somewhere close to build a proper, sit down Loo, At least we could spend more time there.

2014-04-19 11.52.17Was the park’s purpose always clear or has it evolved over time?

The park was not the first time we built but it was going to be the final time. We had intended to buy a piece of Nile River land, before it became illegal, to build our retirement house.

Naser envisioned a huge Roman style columned block with lawns and conifers!

I was thinking more along the lines of the Victorian Sea Front shelters with rockeries around the inevitable but inappropriate, lawns. The ideas involving Elsewhere are evolving all the time. I love other people to share their ideas and enthusiasm.

I was very conscious of the dreadful conditions the local Bedouin people live in and the delicacy of their customs. A kindly Hungarian lady asked what she could do to help them and decided to open a little school. We allowed her to build a small room (the red brick one) in the Park, rent and electricity, with use of the kitchen and bathroom. This is now the shed and the Nile River School has moved to its permanent location in a purpose built and larger school, just up the road.

2014-04-19 14.43.32 2014-04-19 14.39.18[Put simply] the park supports educational interests of both privately funded (Rich Cairo schools) and the Nile River School that survives on donations and volunteers.The park was created for rest, recovery and inspiration. It can be made available for education and certain types of entertainment. Private hobbies and dreams. I love the freedom to try anything and enjoy other peoples enthusiasm and experience that they have been willing to contribute.

Recently, a group of ladies I teach with needed somewhere at the Park to stay, instead of putting up tents. This is the building we are currently working on and you Scott, are the only bloke that has been allowed to do anything creative on it!

2014-04-19 14.40.01 2014-04-19 18.22.59What inspired you to lead the design the buildings on your site?

I had to design the buildings myself as I spent 15 years in the Logistics field which always comes first in my considerations. I have no faith in the engineering judgments of most architects here and they would only communicate with Naser because 1. He speaks Arabic and 2. He is a Man.

Women have no business interfering in such things in Egyptian society.

What problems did you encounter and how did you overcome them?

Everyone here thinks and says you can’t do that, that’s not possible. So I go ahead and start the job myself.

There are many bribes to be paid at intervals but there were many more when we started. The Authorities take their share. River Authority, River Land Authority, Land Authority, Road Authority, Electricity Authority, Building Authority. Because I am foreign, all of our paperwork to do with the Park, is all perfectly legal to ensure we don’t lose it.

The first thing we did was build the road down to give vehicle access to the land.

The walls collapsed and the road fell down.

Next doors road also fell down and at this point I decided to take all building under my wing.

The first building had to be pulled down four times before we managed to get a license for electricity. This would then prove it was a lived- in building and therefore could not be demolished. This was the normal process. The law has changed since then and the Authorities are starting to pull down the swarm of buildings that have been put up since the other Authorities have been otherwise occupied.

2014-04-18 18.00.19There are always problems with the quality of materials, all of the roof beams are twisted and most wood is full of knots and bark. The electricity is normally connected from the street lights and it runs your single light bulb via the window. Elsewhere Park has more light bulbs than the whole Ezbah (Hamlett) put together and more double sockets too. There have been so many problems!

Does the ‘try it and see’ attitude to building lend itself to the locality given the uncertainty of Material supplies? And do you find testing/prototyping beneficial?

I love to try it and see. I am not familiar with some of the local materials so I research their uses and  use their transferable properties with my own transferable skills, to create an object with meaning and multipurpose. I am proud of some of my triumphs in the control of temperature and I can’t wait to put the roof on the Burrow (Cob) to see how I have performed with daylight.

2014-04-19 14.35.25 2014-04-19 14.35.06We encourage people to collect as much data from the Park as they can. If you need our help, just ask.

Does the eco/ethical consideration behind Eleswhere Park have potential to expand to other areas in the locality or Egypt as a whole?

Oh Yes. There are a few organisations that dabble in the recycling field but not many dabbling in Permaculture. Most countryside folk don’t have hot water. They have very poor ventilation but no insulation. (The Arabs invented air conditioning with a roof modification)

There is a need in the British Education Private Sector for workshops/presentations and other educational tools on eco-friendly subjects as we have no public parks, forests or accessible countryside. Many students attending these schools have architects and interior designers in their families and are ready to learn some common sense. Rich land owners prefer lawns and columns. Where nature is organized and trees cut into cylindrical shapes. Check out the history of the place and you can see Islamic ceramic influence in many things.

2014-04-21 21.16.15 2014-04-19 18.20.27What do you hope to do with the site in the future?

I would love to see the Park full of little ongoing experiments, set up by some and monitored by many. We will continue to build. The next building may be from river reeds with the potential to pass this knowledge on to the local lads so they possibly make sun shades commercially.

2014-04-22 16.31.30 2014-04-21 17.00.33 2014-04-19 15.54.03The next project (after the Burrow) will be to make a hot water system for the Castle showers. I would like to make this out of recycled materials and use solar power.

My dream for the Park is to make approximately 8 more buildings, using more and more local and renewable materials as possible. Here are some of the plans:

There will be a more extravagant Cob guest room,

Straw bale guest room,

Natural Tee Pee,

River reed shelter with the possibility to extend this technique to the surrounding communities for roofing or animal shelter.

Wooden shed on stilts overlooking clay lined pond that may possibly be for aquaponics.

Jetty to moor boats.

Probably, a metal chassis floating caravan.

Workshop for my art stuff, tools and future projects. I would like to make a wood turning lathe.

Open kitchen on the end of the Castle block.

2014-04-22 11.37.00As the power will be unreliable this summer, I would like to start more seriously with renewable energy installations.

The cost of electric will be rising 25% shortly too.

2014-04-19 17.29.00 2014-04-22 13.43.10Have you considered collaborating with architectural institutes in Egypt to help develop and experiment with the site?

At the moment, I have no plans to involve the architectural institutes in Egypt as the Tutors are notoriously jealous of their powerful positions and the dated styles that they personally believe in. (They may even try to close the Park down, in case our ideas become popular with the rich and famous)

Architects and Tutors here are not usually willing to cooperate with any alternative styles or concepts, especially from women or foreigners as they see this as doing themselves out of a job. They also earn huge amounts of commission from the suppliers and manufacturers of the raw materials and from contractors and sub-contractors.

They also encourage the use of materials that are produced in Egypt, (by the military)but that have a high carbon footprint, such as cement, metals and plastics.

There are several historical and social influences to consider when wondering about modern day buildings. One thing that bothers me most is the complete lack of common sense when planning rooms, buildings and community areas. I believe that this complacency has had a long term effect on moral and society and I am finding that this problem is still being ignored , even in the high class areas.(we have 7 different classes of people in Egypt)

2014-04-19 14.35.49 2014-04-22 11.38.13 2014-04-22 11.12.01So. What are you waiting for?

The sun shines every day, its either warm or hot.

We have an almost constant northerly wind.

We have the longest river in the world which runs at about 5 knots.

We must be able to do something with all of that?

All the best, Jules

(Interview Between Scott Miller and Jules Johnson 2014)

Final weeks of term

As I’m sure you are all aware the end of term and your submission dates are fast approaching. The workshop has been a hive of activity recently with our photographic studio seeing regular use.
Events Month General (3)

At present the laser cutters are heavily booked for next week with only a hand full of slots remaining at the start of the week. If you need to book the cutter I would advise doing it as soon as possible as these slots will get snapped up no doubt.

Events Month General (2)

Before coming into the workshop it should be in your interest to find out what materials you need and if they are in stock. Our list can be found online here and whilst we endeavour to keep all items well stocked it is inevitable at this busy time of year that we will run out of some things so avoid disappointment come in to check.

So far this term we have seen some great final projects and we hope to see many more in the show prep period.

Keep up the hard work! Scott and Jim

1:1 Facade Detail Model, Henry Faulkner

[Re_Map] student Henry Faulkner has created this 1:1 detail model demonstrating the variable solar shading facade concept he has designed.

facade section1These two renders show how the facade would appear with shades open (above)and then closed (below)
facade section2Henry describes the project for us:

The overall project has resulted in a mixed use development which aims to provide housing and an educational facility for academic refugees from around the world. The vast majority of refugees entering the UK in recent years have been from the middle east and northern Africa, from countries such as Iran, Afghanistan and Syria. Taking influence from their history and culture, I developed a facade component that adopts an Islamic geometrical pattern, using its rotational symmetry to create a dynamic solar shading device. (Henry Faulkner 2014)

Henry FaulknerHenry cut the gearing for the model using acrylic to create the components which he had developed through test models previously. The refined design was then drawn up in cad and the component profiles laser cut – fabric included. When cutting fabric or any material you are unsure of it’s always a good idea to run some tests on a scrap piece to ensure the finish you wish to achieve.
Henry Faulkner Re_Map (3) Wire was used as a former and support for the fabric ‘fans’ which when stretched out want to fold under their own weight.

Henry Faulkner Re_Map (2)Henry Faulkner Re_Map (5) Henry Faulkner Re_Map (7)

Henry Faulkner (8) Henry Faulkner (9) Henry Faulkner (11)