Category Archives: Miscellaneous Projects

B.15:45 Extended Interview with Eamonn Canniffe

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As part of our B.15:45 Exhibition we put together a short film telling the story of how modelmaking is used in the life of an architecture student and beyond. The full versions of the interviews tell many more interesting stories of modelmaking with individual case studies and memories accounted first hand by staff past and present.

In this first extended interview with MSA Principal Lecturer Eamonn Canniffe we hear about how history models have been used as precedent examples and tools in understanding space as well as thoughts on the introduction of digital tools to the school over the past 30 years.

Modelmaker Profile: Janis Strazdins and Lelde Strazdina, Maquettica, Riga

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We were recently visited by the two Modelmakers from a company called Maquettica based in Riga, Latvia. Janis Strazdins, CEO and Lelde Strazdiņa senior Modelmaker at the company have recently travelled across the UK researching the commercial role of Architectural Modelmaking. As part of their trip they stopped by to view our exhibition and we gave them a tour of our facility.

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As we are always interested to understand how others work in the field of modelmaking we asked them to tell us their story.

As modelmakers we came intuitively.Janis made his first architectural model already at the age of 14, it was his parents house at country side and he did it just for fun.

 We both have an architectural education, but in Latvia there are no special programs or
studies for architectural modelmaking. At the university here the architectural models are just a need which you add to your project. We spent much more time than other students on model making because we enjoyed the process a lot and gradually we started to be more and more interested in this speciality.

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Logically we got our first orders, sometimes from other students, and very quickly our activity turned professional. Since then we still grow and develop our studio by digging and searching for the most appropriate materials, tools and equipment which allows us to work creatively, accurately and in high quality.

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Our main occupation is realistic architectural models for marketing and presentation purposes and product prototype making, but unfortunately in our country the market is too small to survive only as modelmaking studio so we have added some more products and services that we are able to make with the equipment that we have for modelmaking.

We separated those other products from architectural models and put them all to ‘Ouzel‘, a branch off company.

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Ouzel is our idea visualization studio which provides design objects, museum exposition and unique interior elements, such as decorations, furniture elements, lighting objects, etc.

Generally our clients are real estate developers, architects, also architecture students and individuals.In some cases museums, specific companies (for example factories or adventure parks).

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Architects usually need the models for presentation, usually when they participate in competitions. Real estate developers use very realistic scale models as a marketing instrument. They are made very precisely from technical drawings.Adventure parks, they also need realistic models, but the main purpose is to make them attractive.To receive all necessary information for model making we have created on-line inquiry form on our website, but mainly for a proposal it is enough to have territory plan, building plan, facades and some visualizations.

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The B.15:45 exhibition we visited is one step closer to explaining to society why modelmaking is worth the effort and also what it takes (a lot of time, patience, enthusiasm, spatial and constructive perception, knowledges, materials, equipment, ..) to make an architectural model that works.

Your workshop is Latvian architecture students dream to have at University. The variety of materials, tools, equipment and possibility to ask enthusiastic professors for advice – these opportunities allow a student to work at their project more creatively, confidentlyand whilst having more fun. A student’s activity in the workshop lets them feel the physical interaction – materials, shapes, light, .. which is impossible to get from a computer.

You can find out more about Maquettica on their website here. http://www.maquettica.eu/

Thank you to all who took part and supported Modelmaking in the Digital Age

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Just a quick message to everyone who came to speak and helped us make yesterday’s symposium event possible. We thoroughly enjoyed the day and everyone was extremely positive about our approach to modelmaking and it’s future in architecture.

In all we had 90+ registered guests from a variety of backgrounds all with a shared interest of the subject. Thank you for all your support, it means a lot.

The event was full of interesting presentations and discussions that we are hopeful will lead to further expansion and future events orientated around the subject of how we use models in architecture.

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Syposium Pics (8)

We will be uploading footage of the event for those who missed it in the coming months so stay tuned for those.

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Many thanks to all again – we can’t thank you enough!

Scott and Jim

Pangaea Stage Set for Manchester Academy by Peter Lee

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Towards the end of the first semester 5th Year Student Peter Lee was approached by The University of Manchester to design and make a large scale set piece for the student run festival, Pangaea. The event was held at the Manchester Academy and runs across many venues in Manchester. Pete described the project for us:

 ‘The event’s theme was ‘Space Odyssey’ so designed a ‘wormhole’ with an elevated DJ booth as a focal point in the centre. Throughout the project I was working closely with Academy staff as the design had to both be both the right size for the room and mountable on the existing lighting rigs on the stage. 
For ease of fabrication decided to use 12 identical interlocking triangle frames to create a portal, which sits in front of an aluminium circle truss with fabric panels to give the appearance of depth. The design was also created in coordination with a projectionist, who required a scale model for testing visuals on. By mocking up the design physically at 1:10 it gave me a really good idea of the structural issues faced by hanging a 4m wooden portal and helped me to design a bracing system’

Pete Lee (2)The model was made using components that would eventually come to life as large scale versions looking virtually identical. A wooden frame was used to support a focal hub and fabric was then stretched to the back of the segmented aperture-like ring at the front of the piece.Pete Lee (5)Once the design has received approval for full size production Peter went about turning the concept model into a full scale design. The triangular sections were each cut out using the larger CNC cutter at MMU before being transported across to B.15 for additional pieces to be added.

Peter describes his reasoning for using CNC cut components for the full scale prop:

‘For the 1:1 build I found the CNC machine a really useful tool as it would have been nearly impossible to replicate twelve identical panels by hand – absolute precision was really important throughout the process as the projection maps only had a few cm tolerance for error. Although the digital methods I used were really basic (Sketchup) it was incredibly useful for working out the angles for the panel structure. 
Another really important part of the project was getting logistics spot on – was quite limited for time due to university commitments so efficient use of workshop time was crucial and greatly aided by digital design tools. The panels were prefabricated over a month before the event, which meant the assembly was pretty straightforward.‘

Due to the obvious weight difference in the full size version of the prop each component had to be well built to avoid any accidents. Each triangular section was reinforced with pine timber baton which was glued and screwed into place.

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‘Good communication with other parties was also key as the success of the project was highly dependent on fittings in the Academy and the synchronisation with projections. Resolving issues far in advance meant the on-site build and event itself ran smoothly.’.

IMG_0143In place at the venue, the stage prop served as the focal point for the nights performers and was lit by constantly changing projections and light displays. The image below shows the piece on stage before the event began. The image below show the finished piece during the live event.10887278_461189607366949_5284888234544424655_o 10955797_461189257366984_3543354359810081653_o 1606453_461189224033654_1058877598167468098_oComparing Peter’s prototype to the completed piece shows very little structural difference and is yet another example of how a test model can serve to prove a design idea. Both the development and final versions of the project will make great additions to Peter’s portfolio with the two conveying his design thought and testing processes to a potential client or employer. You can see more of his work here.

Amalgam Modelmakers ‘The Architectural Model: Exploring Scale and Vision’ Exhibition at The Architecture Centre, Bristol

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Amalgam Exhibition (29)Amalgam Modelmakers are a Bristol based professional modelmaking company. Their work covers a huge selection of making areas and more likely than not you have seen some of it on screen or in media across the country. Amongst Amalgam’s departments is of course, Architectural Modelmaking which has become the focus of their 30th anniversary exhibition currently being held at The Architecture Centre in Bristol.

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‘The Architectural Model: Exploring Scale and Vision’ looks at the process of their Modelmaking from commissioning to finishing and delivery to a client.
We were fortunate to be able to visit the exhibition as it opened with a guided tour from Amalgam’s head of Architectural Modelmaking, James Smith who will be presenting for us at our upcoming symposium event in March.

The exhibition gives a window into how skilled Modelmakers go about completing their role. It is always difficult to effectively demonstrate this process in it’s entirety as much of the skill is down to the individuals tasked with each project.

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With that in mind the exhibition narrative defines the stages of production. It provides us with project samples, descriptions of the various stages of the process and video interviews with project managers and Modelmakers from Amalgam’s well equipped workshop.
There are an array of model types, materials and processes on display giving a glimpse of this fantastic 30 year portfolio that continues to grow.

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Highly recommend anyone with an interest in Architecture, Modelmaking or a creative career in the arts to take a look and be inspired.

Scott and Jim

Dr Raymond Lucas to Chair ‘Modelmaking in the Digital Age’ Symposium

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We are very pleased to announce that our own Dr Raymond Lucas will be our chair speaker for ‘Modelmaking in the Digital Age‘ taking place on March 9th. Ray will be introducing and overseeing the converse of our day to help get the insights we all want to get from our fantastic group of visiting speakers.

Dr Lucas has recently been appointed as Head of Architecture in Humanities at the University of Manchester and as such will have a close relationship with our workshop activities in future.

His involvement teaching at MSA and research with the Manchester Architectural Research Centre (MARC) however has been ongoing for the last 4 years so Ray is well versed in the active role our cause plays for our students.

rlucasDr Lucas describes he teaching role as part of Manchester School of Architecture:

I teach in the Manchester School of Architecture in a variety of roles.  

In the recent past, this has included teaching in studio and coordinating the humanities for the undergraduate BA in Architecture.  I have worked closely with colleagues across institutions in developing the humanities curriculum, teaching and coordinating the following courses: Architectural History: Epochs; Architectural History: Paradigms; Architecture & Observation/Graphic Anthropology; Agenda Building; World Urbanism.  Further to this, I have taught in the postgraduate studios Continuity in Architecture and Intimate Cities and supervised a number of postgraduate dissertations.

The teaching ethos of humanities in MSA is important, and involves a close integration of the various humanities disciplines with design studio.  Humanities in architecture is relevant to the process of design, be that in determining the survey and understanding of a site; understanding the context of a place, typology, practice or material; or as precedents which can inform today’s architectural practice.  The second part of this teaching ethos is to deliver current research to students as much as possible.  Whilst maintaining the structure of a foundation in architectural history and theory, it is important to move beyond the classicist surveys of the past and to exploit the wide range of contemporary research being conducted in Manchester School of Architecture both within MARC and our MMU colleagues.

We look forward to seeing you there!

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Foster + Partners Join B.15:45 ‘Modelmaking in the Digital Age’ Symposium

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We are pleased to announce that Foster + Partners will be joining our ‘Modelmaking in the Digital Age’ Symposium taking place on March 9th.

As one of the biggest architectural practices in the world, this presentation from Foster + Partners will add an insight into the ever present use of architectural modelmaking in projects taking place worldwide.

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Additional speakers from Foster + Partners will be:

Gregor_CorpGregor Anderson, Associate Partner at Foster + Partners and manager of the in-house Rapid Prototyping Facility. Gregor studied at the Royal College Of Art where he focused his research on all forms of digital manufacturing. On graduating, he was a key member in the development of Rapidform, the RCA’s in house additive manufacturing unit. In 2008 he moved to UCL to set up and run The Digital Manufacturing Centre in the Bartlett School of Architecture, before joining Foster + Partners in 2011.

Ed Bartlett
Ed Bartlett, Associate and Modelshop CAD Support Manager at Foster + Partners. Ed joined the practice in 2008 after graduating from the Arts University Bournemouth, where he studied Modelmaking for Design and Media, specialising in computer-aided design. He now heads up a team of CAD specialists within the practice, working on a wide variety of projects around the world.
We look forward to seeing you there!
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‘Modelmaking in the Digital Age’ Symposium, 9th March 2015

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B.15:45 Presents….

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As part of our continued look at the role of Modelmaking in Architecture we are very pleased to announce our upcoming symposium event: Modelmaking in the Digital Age

The day will comprise of a series of talks and discussions around the subject of modelmaking in architecture, in particular the impact the introduction of digital tools has had on the approach to making and learning with models.

Registration for the symposium has now closed.

Confirmed Speakers for the event are:

Ken Grix, Architect and Modelmaker at Feilden Clegg Bradley Studios, Bath. Since 1999 Ken has been both the inspiration behind and creator of Feilden Clegg Bradley Studios’ concept models, design process models and presentation models. He became a Partner of the company in 2012, and the following year he achieved the great honour of winning the Lend Lease/AJ Grand Award for Architecture at the Royal Academy Summer Exhibition 2013 for his concrete concept models of the Festival Wing, Southbank.

Dr. Milena Stavric, studied Architecture at the University of Belgrade where she also received her PhD. Since 2004 she has worked at the Graz University of Technology, Austria. Author of Architectural Scale Models in the Digital Age: Design, Representation and Manufacture.

James Smith, Director and Head of Architectural Modelmaking at Amalgam Models, Bristol. James joined Amalgam in 2000 having gathered model making experience across the UK for several years, followed by 3 years based in  Barcelona where he managed many high profile architectural projects. James became a Director at Amalgam in 2008.

Professor Nick Dunn, Professor of Urban Design at Lancaster Institute for the Contemporary Arts.Previously studied and taught at the Manchester School of Architecture, Author of the international best selling book, Architectural Modelmaking.

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Gregor Anderson, Associate Partner at Foster + Partners and manager of the in-house Rapid Prototyping Facility. Gregor studied at the Royal College Of Art where he focused his research on all forms of digital manufacturing. On graduating, he was a key member in the development of Rapidform, the RCA’s in house additive manufacturing unit. In 2008 he moved to UCL to set up and run The Digital Manufacturing Centre in the Bartlett School of Architecture, before joining Foster + Partners in 2011.

Ed Bartlett

Ed Bartlett, Associate and Modelshop CAD Support Manager at Foster + Partners. Ed joined the practice in 2008 after graduating from the Arts University Bournemouth, where he studied Modelmaking for Design and Media, specialising in computer-aided design. He now heads up a team of CAD specialists within the practice, working on a wide variety of projects around the world.

rlucasThe event will be chaired by our own Dr Raymond Lucas. Dr Lucas has recently been appointed as Head of Architecture in Humanities at the University of Manchester and as such will have a close relationship with our workshop activities in future. His involvement teaching at MSA and research with the Manchester Architectural Research Centre (MARC) however has been ongoing for the last 4 years so Ray is well versed in the active role our cause plays for our students.

The event will be held on March 9th in the Cordingley Lecture Theatre here at the University of Manchester’s Humanities Bridgeford Street Building. Presentations will begin at 09.30am and will continue throughout the day with Q & A sessions and general discussions around the subject concluding no later than 16.00.

Further updates to the event will be posted here leading up to the event.

Tickets are no longer Available

Registration for the symposium is now closed.

For those who have registered We’ll see you on Monday!

 

Architectural Review: ‘Architects do it with Models’ Article

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Happy New Year and welcome back! Here’s a quick link to get you started before the main announcements for the coming months. Hope you all had a relaxing break and we look forward to seeing you back in the workshop soon!

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Architectural Review wrote an article last year looking at the history of architectural models in 16 examples. The article shows the interesting progressive spectrum of materials, methods of construction and varied use from 4600BC to the present day.

Have a look at the article by clicking here.


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