SEED PSS Conference Workshop

On Wednesday we held a short hand-on workshop for the Professional Support Staff at the School of Environment, Education and Development (SEED), the School in which our workshop is tied in UoM.

We gave an overview of the role we play in students work and how our equipment is suited to this followed by a short assembly session of some laser cut components.

PSS Workshop Day (2) PSS Workshop Day (7) PSS Workshop Day (12)

PSS Workshop Day (16) PSS Workshop Day (15) PSS Workshop Day (18)Feedback on the session was very positive and we hope to take part in similar collaboration workshops with staff in the future.

Jim and Scott

 

B.15:45 Exhibition Updates

Hi everyone!

Apologies for that lack of recent updates. We have been very busy researching, designing and building the upcoming B.15:45 Modelmaking Exhibition for September.

We can now be almost 100% sure that the exhibition will be opening on the evening of Friday 12th September 2014 – This will be confirmed very soon and we will be sure to post full details on here.

Jimmovingmodels

We have been able to gather a fantastic array of projects from the schools most recent exhibition as well as other more historic examples presenting a great range. If you haven’t already we encourage you to share this link to help us get even more responses for our survey and record a more complete history of the workshop through peoples accounts.

https://selectsurveys.humanities.manchester.ac.uk/TakeSurvey.aspx?SurveyID=92MH6l42

Every view is valuable to us so don’t hesitate to add your own!

Eamonninterview

Today we conducted the first of an upcoming series of video interviews on the role of Architectural Modelmaking and the history of our workshop. We spoke to MSA Lecturer Eamonn Canniffe who first began working at the school in 1986. He gave his perspective on how the use of models has influenced architectural design for students up to it’s current role as well as informing us of the role his study models of classic 20th Century Architecture with students played.

This interview along with several others will be edited to help us tell the story of modelmaking in our exhibition. Complete individual interviews will also be posted over a period of time to hear more accounts of modelmaking and workshop life at the school over the past 45 years – B.15:TV is born!

More updates soon!

Scott

Visiting London Architecture School Shows

There have been a great range of Architecture school shows this past month some of which we have been able to visit to see what the rest of the world is offering in architectural education. This has proved very interesting and in some ways reassuring in our approach to making at MSA.

DSC02807

The graduate show at Westminster gave a really good balance of processes and materials in their model work.

DSC02725 DSC02728 DSC02729 DSC02732 DSC02738 DSC02742 DSC02750 DSC02755 DSC02756

Over at the Architectural Association the projects were heavily focussed on exploring CAD driven potential in their designs. There were a great selection of structural studies and organic forms. It was good to see such a wide variety of processes being used to develop the projects here with things often being made out of everyday and seemingly unorthodox materials such as scouring pads and liquorice!

DSC02764 DSC02768 DSC02769 DSC02770 DSC02775 DSC02783 DSC02790

 

At The Bartlett show each graduate display was vast. The mix of graphic and making media on show here was immense. Despite the scale of it all I felt that there was a lot of money misused here with huge sets of models produced entirely using 3D printing on an industrial scale.

DSC02813 DSC02817 DSC02823 DSC02833 DSC02836 DSC02837 DSC02838 DSC02842 DSC02844 DSC02846

DSC02845

The show was stunning but overall I felt it was much more a case of money over well considered decisions in terms of making and being waste conscious. That said I’d recommend anyone go to visit these shows in future to see the range of things produced and consider your own approach to getting the results you want. The quality of a display can look crisp, enticing and impressive but the real value of it for you as a student should be in the quality of your design and your ability to effectively convey it.

You don’t need an excess of money to do this. It takes planning and careful consideration of your aims.

Scott

MSA Graduate Show 2014

This years graduate show at MSA is being held on floors 6,7 and 8 of Chatham Building at MMU. Find out more by clicking here.

IMG_4772 IMG_4774 IMG_4775 IMG_4778 IMG_4783 IMG_4787 IMG_4793 IMG_4794 IMG_4796 Stunning hand drawings by Richard Coskie on display below.

IMG_4799 The Processional Cities Atelier of BA3 produced an outstanding room display of their work. One reason this particular presentation was successful is down to the clear placement of each persons work and, being focussed round a central master plan  model, where each project fits in relation to the area of study on the site.

IMG_4803 IMG_4804 IMG_4807DSC02686DSC02696DSC02700DSC02702DSC02705DSC02709

It’s great to see the value the models produced throughout the year have played in each persons project.

Be sure to get over there for a look around some of the fantastic work on show before in closes next Wednesday 25th June!

‘Lithification’ 1:200 site model, James Taylor-Foster

As part of the final major project for his 3rd year submission James decided to produce his completed concept for the former Odeon cinema site on Oxford Street in Manchester at 1:200 scale.

James described the project for us below:
This project is, fundamentally, a house for stone fragments in the heart of Manchesters civic centre. Combining gallery spaces with workshops for stonemasonry, the buildings programme hinges around a tripartite relationship between stone as symbol, material and object. The spaces which consolidate these three spatial threads create a communicative dialogue between street and threshold, node and surface, alongside person and occupation. Designed to activate encounters between the material fabric of the built environment, movement of people, and the intimate craft of stone carving, the scheme seeks to integrate with (rather than reconfigure) the symbolic fabric of the city. The scheme, heavily influenced by ritualised occupancy both human and non-human (such as the daily, repeated zenith of falling light), distills the principle elements of a building into a collection of interdependent, intangible relationships. Volume, void and light align to create moments of lateral swelling in which the interaction of people supersedes, yet elevates and accentuates, particular formal moves. Capturing these ideas in a model was a challenge. Using a lightly grained wood, jelutong, to mass the large volumes of space, 3D printed elements bring focus to two elements: the entrance loggia in the centre of the building and the facade that faces Oxford Street, a busy Mancunian thoroughfare. In using a modest palette of materials, focus is drawn to the relationship between these two key elements that activate the street and public space they face. All sat on a heavy mahogany base – elevated by a thin sheet of plywood which denotes the street kerb – this simple, diagrammatic, 1:200 model works alongside a collection of drawings to visualise a complex orchestration of space. (James Taylor-Foster 2014)

Due to the fragile nature of the powder printing material when used in thin volumes there were several breakages to smaller elements of the model. These were repaired using a mix of styrene strips and filler. Once repaired the whole model was reinforced by soaking it in superglue and finished with a coat of white paint. It is always worth remembering that the smaller details of designs are a potential break risk for 3D powder printing. If possible try not to produce components smaller that 2mm in size and thickness. You should always consider the removal process and how this will be successfully carried out given your design. See more of James’ work by clicking here.

A reimagining of slums , QED, Alexandr Valakh Part 2

Back in March we looked at Alex’s 1:100 model exploring the assembly of his proposed site. Alex completed his model series by producing a 3D printed site model and finally a cross section model showing the relationship between the individual units and the optional outer skin facade.

Alex 3d Print (1)

After several days in the chemical bath to remove support material Alex placed his 3D printed model in a purpose made display case to protect it from intrigued hands! It’s always worth noting that forms such as this require a lot of support material when made on the ABS plastic printer which often means extended periods of time post-printing in the chemical bath.Alex 3d Print (20)
Alex final Project (4) Alex final Project (11) Alex final Project (15) Alex final Project (18)The outer skin of the model was made using paper components that were CAD designed and laser cut before being hand assembled. The completed skin was fixed onto the plywood frame carefully using superglue.
Alex final Project (20) Alex final Project (21) Mass produced standardised components were designed to be quickly assembled to create the form much like the full scale proposal offers. Alex final Project (23) Alex Final Major Section (1)Alex Final Major Section (3)Alex Final Major Section (6)Alex Final Major Section (13)Alex Final Major Section (43)Alex Final Major Section (74)Alex has produced some fantastic models here over the last two years and we encourage everyone to look at this level of work for inspiration. All the best for the future Alex!

Alex final Project (8)

Student Modelmaking Work Experience Opportunity this Summer

 

***************** 07/07/14 THIS PROJECT HAS BEEN CANCELLED *********************

Unfortunately this project has been cancelled. Should there be any change to this we will inform all of those who have enquired via email. Apologies for any inconvenience caused and we hope to see you all again soon! Scott and Jim 07/07/14

We have recently been approached to get involved with an interesting modelmaking project for Manchester City Football Club. The Club has recently completed a huge training facility close to their home stadium at Eastlands. The site covers such an area that there are 4 separate receptions for guests to enter.

Our task is to produce a 2m square master plan model of the area featuring all key buildings and notable landmarks in the surrounding area. The exact scale style and extent of the model is yet to be confirmed but one thing is for sure – we will need to make four of them with one going at each entrance way!

mancity site

Manchester City have given us a lot of freedom with this project and we feel it will be a good opportunity for current students to get involved and take part in a live project which will be on public display at the site for many years to come. The project will allow us to teach some more on the theory of making and hopefully further your understanding of the role of making in your degree and sign in general.

At this stage an exact date for the project has not been confirmed but is most likely to be taking place throughout July and August. There will be a limited number of people we can have working on the project.

If you would like to get involved for a day or more please get in touch by emailing myself at scott.miller@manchester.ac.uk or drop into the workshop to discuss the project.

2014 Show Preparations in B.15

Final 2 weeks (42) As submission deadlines have hastily come up on us so has the end of year show. Over the last few weeks students have frantically been assembling models and display details for their ateliers. We’ve seen some fantastic projects reach completion and have no doubt the completed exhibition will be just as good.

Final 2 weeks (48) Final 2 weeks (56) Final 2 weeks (67) Exhibition construction often involves taking up large spaces in the workshop and this year has been no exception with large quantities of material being cut and assembled before being taken across to the studio spaces. A tip for future groups is to look for as much recyclable material as possible to keep the overall cost and waste down. One group has been able to construct a series of acrylic i-pad display stands using entirely recycled material from a former display at the Manchester Museum saving them many hundreds of pounds.

Final 2 weeks (47)Final 2 weeks (74) Final 2 weeks (81) Georgina Mitchell (3) Sima (2)

For more information about visiting the degree show click here.

We will be covering the show once it has opened after next Friday 13th June. Well done everyone involved! Scott and Jim

Abhi Chauhan: ‘Testing the Machines of a Third Industrial Revolution’ 1:100 Site Section Model

6th Year MArch student Abhi Chauhan has recently completed several models as part of his Intimate Cities project. The earlier models were used to demonstrate initial concept ideas and helped influence design changes. In keeping with the subject matter of the proposed development Abhi has put heavy emphasis on digital manufacture.

Abhi gives us an over view of the project and how this model fit in to its development:

As part of the Intimate Cities Atelier this year we were concerned stalled construction sites in the city of Manchester. These sites are unique in that their infrastructural order has been partially installed and my primary aim is the reconnection of these sites back to the city context. Situated on the Potato Wharf stalled construction site, the final scheme looks at the idea of bringing around a Third Industrial Revolution, by looking at the research and testing of an advanced manufacturing technique (3d printing) and a new energy infrastructure, (hydrogen fuel cells).

 Realised as a masterplanning strategy the stalled concrete frame on the Potato Wharf site is used a ‘live’ test-bed for 3d printed architectural components, in addition to this the scheme engages with the redundant  transport infrastructure bounding the site and reinstates the canal and rail network as a distribution matrix for the transport of raw material. A reconfigurable 3d printed public park defines the edges of the new site in the overall strategy.

VISUAL LIGHT

The renders depict how the main 3d printing manufacturing hall and hydrogen exchange will look. The 3d printing facility is concerned with the research, manufacture and testing of 3d printed architectural components and as such the construction and detail is oversized to deal with a variety of different scales present on this project.

This first conceptual model depicts the main processes occurring in the 3d printing facility and follows the life-cycle of a 3d printed architectural component from its raw powdered state – stored in a material archive; to the printer beds; then for reconfiguration in a graveyard of failed components; and ultimately to its reverse engineering back to its raw powdered state.

The main frame was laser cut from 6mm MDF and designed to slot together. After spray painting grey to depict a raw concrete surface a series of powder printed material stores were fixed in place. It was decided to 3d print these stores due to their complex shape and the desired ‘layered’ construction aesthetic I was after.

The main machines in the model have all been constructed from separated components each laser cut from 2 and 3mm clear acrylic.

The 3d printed architectural components created in the facility were depicted by themselves being 3d printed. These parts were modelled in 3ds max and made ‘watertight’ ultimately for 3d printing on the ABS printer. (Abhi Chauhan May 2014)

Abi (2) Abi (5)Abi (6)

Abi (7)

One aspect of Abhi’s model work which is particularly successful is the appropriate use of different process. Having an understanding of the best suited method to achieve a desired outcome is key to an effective model. Without a clear aim as to what it is you are trying to convey many models have little practical use in conveying the key aspects of a design concept. This model of course naturally lends itself to 3d printing due to the subject matter.

IMG_0740 IMG_0744 IMG_0750 IMG_0752 IMG_0753 IMG_0757 IMG_0758

Using our Photographic Studio

As many of you are now aware this year we have been able to open our own photographic studio for you to document your work before it leaves the building. So far this has proved a great success and the studio is seeing constant use as the academic year nears its end.

Andra Calin (4)

We currently do not have a booking system in place for the facility and would like to keep it this way to make life easier for people needed to drop by unannounced. In order to keep things the way they are we would like to ask you to follow these simple rules:

Please only use the studio to document your work and not for modelmaking. We are trying to maintain a clean environment for model display here. Any assembly or processes should remain strictly in the workshop space.

Please do not move or touch any work being stored in the room as this is either current project work or part of the University Heritage collection dating back nearly 45 years.

Please do not congregate in groups in the studio as their is little free space in the room and the potential for damage of work is fairly high. 

Once you are finished using the facility please let one of us know so we can ensure it is locked and tidy.

And that is it!

Don’t hesitate to ask if you are unsure about setting up specific photographs or any issues you may have with lighting. We are happy to help. Happy snapping! Jim and Scott

Exploded Model (3)